C-775, Gregory Byers (USA)

Description

Gregory Stuart Byers

Concert Classical Guitar

N-300

Made in 2013

650mm scale with 52mm nut width

Canadian master grade cedar top

With Byers’ innovative all wood double fan lattice bracing system

Brazilian rosewood back and sides (sides are double inside)

Mahogany elevated neck with V-joint

Ebony fingerboard with 20th fret

Brazilian rosewood head plate and bridge

Rodgers hand made machine heads

Byers’ nut and saddle compensation system for unusually accurate intonation

Hand rubbed French polish finishing

Double arched hard shell case included

 

Guitars weight is 1.90 Kg / 4.188 lbs

Total length of the guitar is 99 cm / 39 inches

Body length is 49 cm / 19.29 inches

Upper bout is 28 cm /11.02 inches

Lower bout is 36.5 cm / 14.37 inches

Depth of body is 10 cm / 3.93 inches

 

Greg has been building for more than two decades, and was originally inspired via his exposure to Jose Romanillos in the early 80’s. He still considers Romanillos to be one of his strongest early influences, even though the guitars of these two builders are now very different.

Greg notes John Gilbert as an additional early influence, and also acknowledges Thomas Humphrey’s Millenium as inspiring his own version of the elevated fingerboard design. The confluence of these influences, blended with Greg’s experimental nature, has led him towards his own creative destiny and the result has been a steady stream of guitars that warrant the kind of praise quoted above.

Speaking of his experimental nature, he has been a frequent writer and speaker in the classical guitar world. Those of you who are intonation fanatics would appreciate reading Greg’s highly analytical mathematical dissertation regarding guitar intonation that appeared in American Lutherie magazine, and that is also posted on his website. The result of this was an improved compensation system applied to both the nut and the saddle. This system is used by Greg on all his guitars.

Greg also uses a double hole in the tie block which produces the advantage of increasing the break angle of the string over the saddle, a feature that can optimize the sound of many guitars. Additionally, Greg builds in a slight dome in the back of his instruments that is intended (to) provide more strength and increase the ability of the guitar to comply with changes in humidity.

Greg has been previously known primarily for his fan braced guitars. He builds using a ‘treble bar’ to create an asymmetrical pattern that helps achieve a more even response throughout the frequency spectrum. The guitars played by Russell and Tanenbaum are fan braced instruments, for example.

Recently, however, Greg has been applying his ample experimental nature and his drive to constantly improve, towards uniquely designed lattice braced guitars. We are very excited about Greg’s commitment to this contemporary concept of the classical guitar. Greg is striving to meld the best attributes that lattice guitars have become known for, with the qualities that we have all come to love in the traditional fan braced guitar.

Greg uses no carbon fiber on the bracing, preferring instead to use only wood, and counter-intuitively his soundboard is thicker, not thinner as with most lattice guitars. The result is a guitar that has the volume and projection expected in a lattice guitar, but with a tone that is somehow much more traditional, and highly pleasing.

Combine this with the superb playability of the elevated fingerboard, near-perfect intonation, and one can only arrive at the conclusion that Greg has accomplished his goal with these guitars.

Greg Byers guitars have been played by the likes of David Russell and David Tanenbaum…

“They have a deep warm tone in the bass and a melodious treble. I played many concerts with a Byers guitar…They are wonderful instruments.” – David Russell

“There’s a real refinement to Byers’ instruments—wonderfully fine craftsmanship and a beautiful sense of legato. They are incredible musical instruments and they’re very, very even across the range.” – David Tanenbaum

David Russell recorded two CD’s using his Byers guitar, just listen to his “Torroba” CD to hear for yourself what he describes in his quote above.