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Description
Classical guitar
Made in 2019
650mm scale with 52mm nut width
European spruce top (fan braced)
Indian rosewood back & sides
Mahogany neck with ebony fingerboard
Dual action truss rod
Indian rosewood bridge
Mother of Pearl and ebony “Esteso” weave rosette
Maple & ebony bindings
Spanish heel neck joint
Cordoba premium gold machine heads
Polyurethane gloss finishing
Cordoba polyfoam case included
21.5mm neck thickness at 1st fret
25mm neck thickness at 9th fret
290mm Upper Bout
370mm Lower Bout
95mm Body dept at upper bout
100mm Body dept at lower bout
Additional information
| Weight | 10.5 kg |
|---|---|
| Dimensions | 114 × 51 × 21 cm |
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Read moreMORE INFOC-458, Jose Antonio Lagunar (Spain)
Jose Antonio was the main luthier for 30 years in the house of Contreras guitars until Pablo Contreras passed away, thats when he took charge of the company as the one and only luthier left for 4 years…
In 2015 he decided to build the guitars under his own label and fly with his own wings
This is a incredible guitar with lots of presence, power and projection, just like the many Contreras guitars I have sold & played along the years…
The lush warm Spanish tone is present, with great balance, separation & sustain…
A must try for anyone looking for a high end Spanish concert classical guitar
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Add to cartMORE INFOC-461, Manuel Raimundo (Spain)
$1,285.00Raimundo 129 has a beautiful singing voice with great separation and excellent low action playability…
All Raimundo guitars are made by craftsmen using traditional Spanish guitar construction. The use of the “Spanish Heel” ensures greater stability of the soundboard and a higher vibration transmission.
The Raimundo 129 is a great example of how a guitar can be made so good at such a low price !!!
A must try for anyone looking for a affordable all solid wood guitar from Spain!!!
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Read moreMORE INFOC-456, Wolfgang Jellinghaus (Germany)
As Wolfgang writes…I build my signature guitars with double top, a sandwich of nomex between two layers of solid, but very thin cedar or spruce tops.
The neck/body joint combines the construction of the traditional Spanish heel with a free floating fingerboard, in use for violins since centuries. The idea behind this was to get back all the flavours of sound character from the full size guitar top, and not squeezing the upper bout of the top between the glued on ebony fingerboard and upper harmonic bar.
For back, sides and bridge I prefer to use Granadillo (Platmiscium Yucatanum) wood from Mexico, a traditional tone wood for marimbaphones and very close to the wood data of Cocobolo and Madagascar rosewood. The logs I personaly select at the source and cut them into tone wood myself. Granadillo is not endangered by CITES term.
The sides are double and have a second layer of Cypress inside.
Greatly priced concert guitars!!! Quick response, excellent separation, projection, long sustain for the bass strings and beautiful singing trebles!!!
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Read moreMORE INFOC-523, Antonio Marin Montero (Spain)
An incredible find in Canada !!! Purchased direct from Antonio Marin in Granada Spain…
A lightweight instrument with deep warm basses, beautiful singing trebles, great separation and sustain…
That mesmerizing Granada tone…
The instrument has some repaired surface cracks on the top, but is in very stable condition, it was recently restored by luthier Douglass Scott from Victoria British Columbia,
The guitar is perfectly set up and very easy to play
Please contact me for the price