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F-392, Graciliano Perez (Spain)
This second hand flamenco blanca from Cordoba is made of very rare old aged stock of tone woods from the late Miguel Rodriguez, Graciliano was a very close friend of Miguel Rodriguez & his guitars are strongly influenced by him
This spruce blanca has lots of power & projection, extremely easy to play with its low action, captivating tone that also sounds like a old Reyes guitar!!!
This guitar is a mix between Rio Tinto & the one Vicente Amigo used on his TIERRA album
The guitar has some wear and tear on the top & side, please contact me for close up pictures
Description
Flamenca Blanca
Made in the year 2017
53mm at nut
650mm scale
German spruce top (from 1970 !!!)
Spanish cypress back and sides (From 1965 !!!)
Spanish cedar neck
Ebony fingerboard
East Indian rosewood bridge & head stock veneer
Gotoh machine heads
Very thin nitro cellulose lacquer finish
Leather hard shell case included
Additional information
| Weight | 10.5 kg |
|---|---|
| Dimensions | 114 × 51 × 21 cm |
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Read moreMORE INFOC-449, Wolfgang Jellinghaus (Germany)
Dedicated to honour the work of:
Antonio De Torres (1817-1892)
A gorgeous looking guitar with a beautiful tone, excellent craftsmanship & playability
A work of art !!! A must have for anyone looking to own a Torres guitar !!!
The relic look & French polish application is extremely well executed !!!
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Read moreMORE INFOC-305, Jeroen Hilhorst (Amsterdam)
This slightly used guitar is a great example of Jeroen’s meticulous work
It is a total powerhouse!!! Yet with lots of beauty in its tone !!!
A fantastic instrument thats very easy to play with great separation and balance…
It has normal wear and tear on the top, but the French polish could be retouched if necessary and give it a brand new look…
A must try for anyone looking for a high end concert guitar
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Read moreMORE INFOC-456, Wolfgang Jellinghaus (Germany)
As Wolfgang writes…I build my signature guitars with double top, a sandwich of nomex between two layers of solid, but very thin cedar or spruce tops.
The neck/body joint combines the construction of the traditional Spanish heel with a free floating fingerboard, in use for violins since centuries. The idea behind this was to get back all the flavours of sound character from the full size guitar top, and not squeezing the upper bout of the top between the glued on ebony fingerboard and upper harmonic bar.
For back, sides and bridge I prefer to use Granadillo (Platmiscium Yucatanum) wood from Mexico, a traditional tone wood for marimbaphones and very close to the wood data of Cocobolo and Madagascar rosewood. The logs I personaly select at the source and cut them into tone wood myself. Granadillo is not endangered by CITES term.
The sides are double and have a second layer of Cypress inside.
Greatly priced concert guitars!!! Quick response, excellent separation, projection, long sustain for the bass strings and beautiful singing trebles!!!
A must try !!!